Events

Exhibition :

6 September 2024 Friday 5pm – 7pm

7 & 8 September Saturday & Sunday 2:30pm – 4pm

Free Entry

Performances :

Set One : 6 September Friday 7pm | Benedict Taylor (viola) and Cath Roberts (baritone saxophone)

Set Two : 7 September Saturday 4:30pm | Barbie Mukoda (solo flutes)

Set Three : 7 September Saturday 6pm | Caroline Kraabel (alto saxophone) and John Edwards (double bass) [FULL]

Set Four : 8 September Sunday 4:30pm | Sue Lynch (solo saxophone)

Set Five : 8 September Sunday 6pm | Kate Carr (electronics) and Cath Roberts (electronics)

Tickets £7 – or £12 for two sets | 8 places available for each set | Please email divfuse@gmail.com for tickets | There are still tickets available for all sessions except Set Three.

Exhibition and live improvised music to celebrate the launch of Setlist zine vol. 4. Setlist is a series of A7 riso-printed mini-zines compiled by Cath Roberts (Ink-Paper-Sound Press), where artists are invited to contribute a tiny provocation/agitation/starting point to be used in improvised performance. The theme for Setlist #1 was micro-texts, Setlist #2 was all about images, Setlist #3 questions and Setlist #4 (miniature) maps.

This exhibition will focus on the two image-based zines, volumes 2 and 4, with work by Sam Andreae, Old Bort, Angela Guyton, Bell Lungs, Kim Macari, Khabat Abas, Sophie Cooper, Hannah McCann, Livia Garcia, Tullis Rennie and Benedict Taylor. To date only seen as tiny pages of an A7 booklet, artists’ zine contributions will be blown up to comparatively huge sizes and projected onto the space. Responding to the visuals with improvised live sets will be members of improvising large ensemble ONe_Orchestra NEw and Setlist artists.

Exhibition & Performances :

Session One : 5 October 2024 Saturday 4pm

Session Two : 5 October Saturday 6pm

Session Three : 6 October Sunday 4pm

Session Four : 6 October Sunday 6pm

£8 | 8 places per session | Please email divfuse@gmail.com for tickets

Lia Mice and the Catastrophone, Photo by Liz Godoy

Why are digital musical instruments so often created using unsustainable materials?

Why are there no commercially available digital instruments that are larger than the performer’s body?

Catastrophone is a new large physically performed synthesizer made of recycled cardboard and paper — specifically collaged images of cats, hence the name!

At two metres wide and tall, Catastrophone looms over the performer, offering large performance surfaces for full-body interaction. Mice’s intricate hand-cut and glued nature-themed paper collages that adorn each performance panel evoke a call-to-action for instrument makers to consider the environmental impact of materials, while the instrument’s sheer size encourages musicians to bring their entire bodies to live electronic music performance.

Within the intimate setting of Project DIVFUSE, Lia Mice’s first solo exhibition show Catastrophone features scheduled performances of the instrument by Lia Mice followed by a short artist talk, Q&A, and an opportunity for the audience to try the instrument themselves. The newest iteration of Catastrophone will be displayed alongside a collection of collage panels previously installed in the instrument when it was shown and performed at the Science Museum, Cafe OTO and IKLECTIK.

Sightlines and light-maps : Setlist 4 zine launch

Catastrophone : Lia Mice [Upcoming]