Author: admin

Installations + Performance :

Session One : 21 March 2025 Friday 7pm

Session Two : 22 March Saturday 3:30pm

Session Three : 22 March Saturday 6pm

Session Four : 23 March Sunday 3:30pm

Session Five : 23 March Sunday 6pm

£5 | 6 places only each session | Please email divfuse@gmail.com for tickets.

Running time : 20 minutes visual and audio installations + 20 minutes performance

The River in You / Runs Right Through / BODY TALKS (2023-2024) by Joanna Penso (UK) were selected from DIVFUSE Sound Archive No. 5 Open Call for work that is based on field recordings.

Projection Diptych, 2023 & 2024, 2 channel audio through speakers, projection Runs Right Through 2024 explores the possibilities of listening to nature through the body. Along the banks of the River Don, Sheffield, this piece was made using field recordings taken with a hydrophone dipped into the water, and a stethoscope microphone which captures vibrations of the water seeping into the body, being heard amongst the breath, the heartbeat and digestion.

A meandering sonic journey through the waterways of the body, The River in You 2023 explores the human relationship with water in both the internal and the external. Careering through orifices, tubes and organs this ambient soundscape celebrates the journey water takes into and out of the body, transforming audio recordings taken with a stethoscope microphone into a meditative experience for the listener/viewer.

BODY TALKS 2024 is a live performance piece born out of a period of experimentation during a programme of activity funded by Arts Council England (Develop Your Creative Practice fund, DYCP). Through live amplification of the body this work looks to explore the inner and outer self in relation to performer and audience. Several microphones are strapped to the performer’s body, twisted into a central ‘umbilical cord’ which denotes the limitations of the performance area. Playing with microphone feedback moves the performer to explore the limits of what she can physically and sonically withstand whilst shadow play distorts her physical presence to the audience.

Exhibition :

14 February 2025 Friday 5-7:30pm

15 February Saturday 2:30-6:30pm

16 February Sunday 2:30-6:30pm

Suggested donations £2. No booking required.

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Non Mountain is a collaboration between Angus Carlyle, Chrystal Cherniwchan and Craig Tattersall (UK). It was selected from DIVFUSE Sound Archive No.5 Open Call for work that is based on field recordings.
 
Initially this project started as a response by Chrystal Cherniwchan and Craig Tattersall to a soundtrack and text by Angus Carlyle, from his collaboration with Chiara Caterina, in which they referenced a passage from the novel Mount Analogue by René Daumal: 
 
For a mountain to play the role of Mount Analogue, I concluded, its summit must be inaccessible but its base accessible to human beings as nature has made them. It must be unique and it must exist geographically. The door to the invisible must be visible. (Daumal, 1952) 

Through Daumal’s writing and recontextualising on previous work that Carlyle created, a mapping started to unfold, built around layers of interpretation, iteration, and construction. Cherniwchan and Tattersall created a sound piece and made preparatory photographs, that were used as cues to elicit further responses from Carlyle, which involved texts inspired by catalysed memories of the original fieldwork, photographic documentation of forgotten ephemera only re-discovered after Cherniwchan and Tattersall’s prompts and a new composition in the spirit of conversational reply. 
 
In the publication Writer Conversations, comprising of interviews with authors about the practice of writing on photography, Duncan Wooldridge writes: 
 
…the affective act of writing with, the process of writing around the photographic image proposes a diagrammatical model, a mapping of how an image moves and makes forms of contact and interconnection. Understanding emerges from a kind of encircling – values and meanings are drawn from how the image intersects with language and other images. (Wooldridge, 2023) 
 

Sound Exhibition :

8 February 2025 Saturday 2:30-5:30pm

9 February Sunday 2:30-5:30pm

Running time : 40 minutes. Suggested donations : £2. No booking required.

Performance :

Session One : 8 February Saturday 6pm

Session Two : 9 February Sunday 6pm

£7 | 8 places only each session | Please email divfuse@gmail.com for tickets

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Bayt Yakan of Luca Nasciuti (UK) was selected from DIVFUSE Sound Archive No. 5 Open Call for work that is based on field recordings.

Bayt Yakan 2024 is a collection of field recordings that mark and map the essence of a newly restored historic house in Cairo, Egypt. It features 5 edited recordings of playback sound performance-walks recorded within the walls of Bayt Yakan, revealing the relationship between sound, environment, and heritage. By activating the surroundings, Luca maps the building and courtyard, creating an auditory experience that reflects the character of this location.

During the performance at the house, pre-recorded material was played back through a portable loudspeaker, allowing Luca to interact with the building and the objects within it. This interaction highlights the importance of space in shaping sound and music. The recordings weave together the indoor and outdoor sonic environment with Luca’s slow journey within the building, inviting listeners to engage with the layers of sound that define the historic site.

Bayt Yakan serves as a reminder of the interaction between history, memory and embodied experience that shape our environment. By mapping the space through field recordings and layering recorded soundscapes in the same location, the project highlights the complexity of urban regeneration and cultural conservation. What is to be saved and who holds the power over these sites becomes the guiding principle for this auditory investigation of space.